Би / Электронды музыка — Washington

CABARET VOLTAIRE: FINAL USA + CANADA TOUR

This is a General Admission - Standing Room Only Event with Reserved Seating in the Balcony. All support acts are subject to change without notice. Doors for this event open at 7:00PM. Show starts at 8:00PM. For Premium Seating information, please reach out to maryclairegriffin@livenation.com or call 202-626-8255 For ADA accommodations please purchase General Admission tickets and then call the Box Office at 301-960-9999. http://www.fillmoresilverspring.com/

Recommended for ages 21+

Echostage is now a cashless venue. Please come prepared to complete purchases with a credit or debit card. This event is for ages 18+, a valid government issued photo identification is required. Event requirements subject to change.

$1 per ticket will go to Save The Music Foundation. Save The Music is a nonprofit organization that helps students, schools, and communities reach their full potential through the power of making music.

Echostage is now a cashless venue. Please come prepared to complete purchases with a credit or debit card. This event is for ages 18+, a valid government issued photo identification is required. Event requirements subject to change.

Echostage is now a cashless venue. Please come prepared to complete purchases with a credit or debit card. This event is for ages 18+, a valid government issued photo identification is required. Event requirements subject to change.

Tickets are non-transferable until 72 hours prior to the show time. Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of 9:30 Club / Ticketmaster, and buyers may be denied future ticket purchases for I.M.P. shows. Opening acts, door times, and set times are always subject to change.

We're heading back to Pennsylvania Ave for the second edition of the GLOW Block Party; featuring Grammy-winning DJ and producer Diplo, tech house star Westend, singer/DJ Anabel Englund, breakout Monty Kiddo, and a cast of some of the best homegrown talent DC has to offer. We can't wait to bring the iconic Pennsylvania Avenue to life for a one-day affair, where we turn one of DC's most legendary streets into the biggest party the city has ever seen. With a world-class stage layout that complements the surrounding buildings, local vendors providing the best bites and art the area has to offer, art installations, and so much more, for one night only the street becomes the dance floor. A destination mini-festival just steps from the Capitol, National Gallery of Art and National Archives, the second Club Glow Block Party is from 3-10pm. See you on Saturday, October 3rd, as we transform a storied DC neighborhood into a historic dance party.

Everything started in the Original BedroomRockers StudioKruder s story is not just a story of refusal andrenunciation. As the two started making music together in the early1990s, there was hardly anything that the two didnt do wrong, andtherefore, exactly right.At the time, Vienna was a metropolis of the aspiring techno movementand was active, during the initial heyday of the revolutionary style. Butthe two gentlemen, Kdancefloor of the 1980s, which searched for auniversal language of dance music, influenced by hip hop, raregroove, dub, new wave and last but not least, of music that stoodout between all those categories.As the first post-acid jazz productions of labels like Ninja Tune or MoWax heralded a new era, Kruder s groundbreakingdebut G-Stoned, already apparently influenced by the elegiacarrangements of productions from the 1960s and 1970s of Afro-jazzand Pink Floyd, made many top producers begin scratching the backsof their heads, asking themselves who could have generated such anorganically-flowing, complex yet subtle sound with only two Akaisamplers, a Roland Space Delay and a dusty mixer.Offers came pouring in like heavy rainfall in a mid summers day, butthe two stubborn gentlemen didnt play along: after the success oftheir DJ-Kicks and Sessions CDs, which sold millions worldwide, they turned down most of them.Ks Tosca or Kruders PeaceOrchestra.Whoever heard the two DJing at the time, noticed that the clich ofsmokey time-loop jazz had long been left behind and gave way to theirown spirit of research. Besides excursions to drum & bass and sub-genres, such as broken beat, straight 4/4 rhythms crept into their setsand roughened up the eternal Balearic sunset.