Rok — San Jose

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Moes Alley presents Thelma & The Sleaze with special guests Micah Schnabel & Vanessa Jean Speckman!Wednesday, September 30, 2026Doors: 7pm // Show: 8:00pm$15 in advance // $20 day of the show21+* No Refunds | All sales are final* Avoid scammers! Only purchase tickets from moesalley.com or ticketweb.com* Tickets requested by email will be delivered 3 days prior to the event* Will Call tickets will be available at the door on the day of the event====THELMA & THE SLEAZEThelma and the Sleaze is an independent all-female, queer southern rock band from Nashville, Tennessee. The group is the brainchild of lead vocalist and guitar player Lauren LG Gilbert and features an evolving cast of A-team players to back her up for an unforgettable live experience.LG is the embodiment of hustle. As the driving force behind Thelma and The Sleaze, she is the songwriter, the visionary, the take-no-shit-from-anyone front woman that is single handedly keeping rock and roll alive. Thelma and The Sleaze has been touring the US for years building a legion of fans, affectionally called her creepers. The growing social media presence, the hit podcast, the features with Yamaha Guitars are really all the result of her incredible songwriting, visceral guitar playing, and the guts to deliver on her vision of what Rock and Roll should be.LG has also launched two successful seasons of their Podcast Queen of Shit Mountain. Each episode features legendary musicians such as Tanya Tucker, Brittany Howard, Juliana Hatfield, Kate Pierson, Lori Barber, Patty Schemel, Mary Ramirez and Margo Price.MICAH SCHNABEL & VANESSA JEAN SPECKMANMicah Schnabel and Vanessa Jean Speckman are a modern day folk and punk duo rebelliously and joyfully reporting from the front lines of present day America. Jim Carroll colliding with Patti Smith in the alley back behind the donut shop that used to be a Taco Bell. As a combined artistic force the duo have played with Frank Turner, Lucero, John Moreland, Tim Barry, Chuck Ragan and July Talk.

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SAP Center recommends that fans bring bags that are 5" x 9"x 2" or smaller to expedite their entry. However, we are happy to accommodate larger bags up to 20" x 14" x 11" in size! When it comes to the larger bags, please note the following: All bags, including medical and infant bags, larger than 5" x 9" x 2" are subject to X-Ray inspection and will result in longer wait times for entry Bags must be able to fit under your seat once inside the event; therefore, bags larger than 20" x 14" x 11" will not be permitted. SAP Center no longer offers a bag check option and/or onsite storage lockers.

(((folkYEAH!))) presents Y La Bamba Wednesday, October 7, 2026 Doors: 7pm // Show: 8pm $25 in advance // $30 day of the show 21+ * No Refunds | All sales are final * Avoid scammers! Only purchase tickets from moesalley.com or ticketweb.com * Tickets requested by email will be delivered 3 days prior to the event * Will Call tickets will be available at the door on the day of the event ==== Y LA BAMBA To declare one thematic narrative from Lucha, Y La Bamba's seventh album, would be to chisel away a story within a story within a story into the illusion of something singular. , "rdquo" -> Lucha is a symbol of how hard it is for me to tackle healing, live life, and be present," Luz Elena Mendoza Ramos, lead vocalist and producer of Y La Bamba, says of the title behind the album which translates from Spanish to English as 'fight' and is also a nickname for Luz, which means light. The album explores multiplicity---love, queerness, Mexican American and Chicanx identity, family, intimacy, yearning, loneliness---and chronicles a period of struggle and growth for Mendoza Ramos as a person and artist. Lucha was born out of isolation at the advent of COVID-19 lockdowns, beginning with a cover of Hank Williams' , "rdquo" -> I'm So Lonesome I Could Cry," and following Mendoza Ramos as she moved from Portland, Oregon to Mexico City, returning to her parents' home country while revisiting a lineage marred by violence and silence, and simultaneously reaching towards deeper relationships with loved ones and herself. The album reflects , "rdquo" -> another tier of facing vulnerability," as Mendoza Ramos explains, and is a battle cry to fight in order to be seen and to be accepted, if not celebrated, in every form---anger and compassion, externally and internally, individually and societally. As much as la lucha is about inner work, fighting is borne from survival stemming from social structures designed to uplift dominant groups at the hands of suffering amongst the marginalized. While peeling back layers of the past to better understand the present has been integral to this period of growth for Mendoza Ramos, time, trauma, and history can feel like interconnected, abysmal loops and music has remained a trusted space for Mendoza Ramos to process, experiment, and channel her learnings into a creative practice. In this way, Lucha has become cyclical, documenting the parallel trust Mendoza Ramos has built with herself to allow the songs to guide how they should be sung, or even sound. , "rdquo" -> I've been wanting to let whatever feels natural---with rhythm and musical instruments like congas and singing---to just let it be, in the way that I'm trying to invoke in myself." Lucha reflects on, , "rdquo" -> the continuing process of learning how to exercise my producing skills," explains Mendoza Ramos. , "rdquo" -> I have so many words, ideas to work with all the time, and the hardest part for me has been learning to trust my gut. And figuring out how I work best, and with who."

Mumford & Sons has partnered with PLUS1 to support Children in Conflict, part of the War Child Alliance. $1 from every ticket sold will help Children in Conflict to protect, educate, and stand up for the rights of children affected by war. No portion of the purchase price is tax deductible. https://www.childreninconflict.org/

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